Showing 51 artworks, sorting by

(dis)locations, Aurelie Crisetig A Future Urban Model as a Self-Regulatory Biological Organism, Lina Dovydenaite A ritroso_Backwards, Federica Marra Algae BioEmbellishments , Aradhita Parasrampuria Balance , FengYe Blending in, Joana Bernd Blind Spot, HEYDT Carbon, HEYDT Cellsesne, Aradhita Parasrampuria Change the Channel, HEYDT Clorofilla, Niagara Consumer's Diary, Jila Svicevic Deforestation, Oli Sorenson DO AIS DREAM OF CLIMATE CHAOS, Iris Qu DO NOT TOUCH, IKAROS Studio Dr. Avila holding cut Antarctic Ice Core, Ian van Coller Dying Paradise, Ina Moana Earth , Sarah-Anna Linton Endspurt, Ina Moana Flooded, Oli Sorenson Future Star, Jila Svicevic Ginkgo, Odette Farrell Ginkgos, Odette Farrell Green ear, Olga Baryshnikova Hidden Gems, Īṣā Orí I AM THE FOREST, Miguel Angel Crozzoli In the Garden with You, Hanniel Levenson Line with White Cloud, Aisling Edwards Looking at Water, Méabh De Búrca Melting Rug, Jila Svicevic NO PLANET B , Akanyijuka Evans onepointeight, Katrin Spranger Pollution, Oli Sorenson Project "City, Regular Planning", Zigura Nikita Reflections 7:30PM, Dodd Holsapple Reliques of the Plasticene, Coline Le Quenven Salvia for Sympathy, Jila Svicevic Sea in a trashcan, Dimitra Papakonstanti Seeds of a Galaxy, Jila Svicevic Something Fishy, HEYDT Swing, HEYDT The Land after Time, Teresa Prati The last ice on the South Pole, Kenneth Henckel the pink balloon, Matthias Lück The Plight of Animals, kimchicheese The Plight of Animals, kimchicheese The Plight of Animals Crocodile, kimchicheese The Plight of Animals Tibetan Antilop, kimchicheese Triangle – Light After Death, Tiziano Summo We Are Watching, Barbara Lessing When the world will be covered with ashes - III, Ksenia Belolutskaya

Iris Qu, DO AIS DREAM OF CLIMATE CHAOS, 2021


Symbiotic AI simulates an algorithm’s coexistence with the ecosystem around it. During a turbulent season, a weather forecast AI attempts to decipher the chaotic system around its data center location by exchanging knowledge with the local species. As the simulation progresses, the AI unlearns planetary, human-centric datasets and gains dynamic, adaptive, and hyper-local insights from oak trees, milkweeds, hedgehogs, butterflies, lichens, and mycorrhizal fungi – slowly forming a cybernetic language of symbiosis. The data center worker inside the simulation and its human audience are bystanders, relying on AI to translate knowledge between nature and machine in this algorithmic story. Together, we want to build a believable narrative. Through collective storytelling, Do AIs Dream of Climate Chaos aims to explore connections between computation and humans – and the ecosystems they jointly endanger. (found online: https://drivingthehuman.com/prototype/do-ais-dream-of-climate-chaos/#:~:text=Through%20collective%20storytelling%2C%20Do%20AIs,the%20ecosystems%20they%20jointly%20endanger.&text=In%202022%2C%20the%20Driving%20the,Prototypes%20for%20Eco%2Dsocial%20Renewal. ) AND HERE: 1. What interests me the most about the idea of artificial general intelligence is its ability to question and demonstrate what human intelligence means to us. Machine learning is the best data visualizer of the Anthropocene, as it shows us what we chose to write down and amplify as a collective. By collecting and generating data, the scripts begin to reveal a baseline for “Climate Change” in human terms. How can AI help to solve the climate crisis? The tech industry is notoriously at defending its expansionist mindset with technological solutions. When it comes to combating climate change, however, the industry’s characteristic systematic optimism and relentless willingness to fail might help the cause. I’ve seen many encouraging signs of applied machine learning in crisis prevention, energy efficiency, and biodiversity studies. The current form of machine learning is extremely good at data analysis, so it can help us navigate climate change when large amounts of data are involved. That said, disaster intervention, biodiversity, and climate predictions are situations that crave nuanced solutions, but machine learning tends to make generalizations that can amplify some of our worst mistakes. It’s crucial to have experts in the loop to ensure these systems do more good than harm. (found online: https://drivingthehuman.com/journal/what-if-artificial-intelligence-becomes-autonomous-beings/ )

Submitted to the collection on Saturday, December 17, 2022


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Showing 51 artworks, sorting by

(dis)locations, Aurelie Crisetig A Future Urban Model as a Self-Regulatory Biological Organism, Lina Dovydenaite A ritroso_Backwards, Federica Marra Algae BioEmbellishments , Aradhita Parasrampuria Balance , FengYe Blending in, Joana Bernd Blind Spot, HEYDT Carbon, HEYDT Cellsesne, Aradhita Parasrampuria Change the Channel, HEYDT Clorofilla, Niagara Consumer's Diary, Jila Svicevic Deforestation, Oli Sorenson DO AIS DREAM OF CLIMATE CHAOS, Iris Qu DO NOT TOUCH, IKAROS Studio Dr. Avila holding cut Antarctic Ice Core, Ian van Coller Dying Paradise, Ina Moana Earth , Sarah-Anna Linton Endspurt, Ina Moana Flooded, Oli Sorenson Future Star, Jila Svicevic Ginkgo, Odette Farrell Ginkgos, Odette Farrell Green ear, Olga Baryshnikova Hidden Gems, Īṣā Orí I AM THE FOREST, Miguel Angel Crozzoli In the Garden with You, Hanniel Levenson Line with White Cloud, Aisling Edwards Looking at Water, Méabh De Búrca Melting Rug, Jila Svicevic NO PLANET B , Akanyijuka Evans onepointeight, Katrin Spranger Pollution, Oli Sorenson Project "City, Regular Planning", Zigura Nikita Reflections 7:30PM, Dodd Holsapple Reliques of the Plasticene, Coline Le Quenven Salvia for Sympathy, Jila Svicevic Sea in a trashcan, Dimitra Papakonstanti Seeds of a Galaxy, Jila Svicevic Something Fishy, HEYDT Swing, HEYDT The Land after Time, Teresa Prati The last ice on the South Pole, Kenneth Henckel the pink balloon, Matthias Lück The Plight of Animals, kimchicheese The Plight of Animals, kimchicheese The Plight of Animals Crocodile, kimchicheese The Plight of Animals Tibetan Antilop, kimchicheese Triangle – Light After Death, Tiziano Summo We Are Watching, Barbara Lessing When the world will be covered with ashes - III, Ksenia Belolutskaya

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